Showing posts with label q awards. Show all posts
Showing posts with label q awards. Show all posts

Saturday, October 22, 2011

Q'ing round the block for Q Awards Gig

The fourth night of the Q Award’s Gigs in the run up to Q Magazine’s 25th anniversary awards was headlined by Ed Sheeran – and he certainly brought his fans out early – it wasn’t quite as cold as it had been on the previous couple of nights – but it was still a brave audience that were queuing round three corners by the time the doors opened – with people joining almost as fast as security could let people in once they where open!

From Ed Sheeran 2011
Unfortunately much of the audience missed some or all of the opening act, We Were Evergreen, because we where still queuing outside - despite being there well before the doors were due to open... I'd suggest venues need to be able to beef up their entrance teams if faced by an early arriving audience - it is only fair to try your best to get them into the venue before the openers come on stage...

From the end of their set that I heard, this trio hailing from France where a little out of their depth with such a large audience so excited about the headliner – would be interesting to listen to them in a smaller venue with a less distracted audience…
By the time Ed's main support act, Emeli Sandé, came on stage security had managed to get most, if not all of the audience into the venue. While many of Ed's fans might not have heard of Emeli, her powerful vocal soon had their attention!

Ed later confided that one of the reasons he’d accepted the gig was so that he could book Emeli to support him – whether the choice was his to make or not, Emeli captivated the audience. She’ll soon be headlining her own tour, and with her contribution to Professor Green’s current hit is one to watch for the future.
Unusually, the preparation for the headliner consisted of emptying the stage except for a pedal board and two orange mics… Ed Sheeran looked a little lonely on the stage with only his guitar – but he would remedy that with three guests, and by filling the venue with his voice, guitar and clever use of the pedal board.

Moving between all the genres in Ed’s range from acoustic rock to R&B Ed demonstrated why he’s nominated for Q’s breakthrough artist award as well as best male artist and best video. 

Ed then introduced Pixie Lott who’d played the same series of gigs earlier in the week – their duet of Kiss Me meet a mixed reaction with Ed’s die hard fans who’d queued round the block to see him, rather than Pixie – but it demonstrated both Pixie and Ed range – contrasting with more upbeat style both usually perform.

Ed’s next collaboration of the night was with Wiley, changing things up by mixing rap with Ed’s more mellow sound. The reception with Ed’s mostly student fan’s was good – the success of Professor Green and Emeli Sandé current collaboration demonstrate how popular mixing rap with other genres has become…

The last collaboration of the night added Example to the length list of top talent that had graced the stage during the evening. The remix of You Changed the way you Kiss Me had the audience in the palm of the artists hands.

As the audience left the venue, most would have felt that the long queue in the Autumn chill had been well worth the wait – any that didn’t where at the wrong gig or very hard to please.

Friday, October 21, 2011

I predict the Forum will be rocking

It was clear that the sound tonight was going to be big – The Kaiser Chiefs had supplemented the venue’s own sound system with even larger stacks of their own speakers…

From Kaiser Chiefs 2011
This was the 3rd of the Q Awards gigs 2011 presented by Q Magazine – and it was clearly rock night!

The night started with the first of two support acts - Spector. It was nice to see a male guitar based rock band trying to differentiate themselves from the hundreds struggling to make a space for themselves in a crowded genre. Suited and booted they got the crowd rocking, frequently introducing themselves to the growing crowd, in preparation for what was to follow…
Duke Spirit interacted a lot less with the now full venue - but Liela Moss’ vocals combined with talents on keyboard and the other members of the band continued building the atmosphere towards the headliners, who's backdrop dominated the stage…
From Kaiser Chiefs 2011
You could guess that there was going to be lots of energy on and off the stage, when a stage hand was carefully marking up, with hi-vis masking tape the edges of the speakers that could be stood on, and with large crosses those that won't support a band member!

Ricky Wilson was soon confirming this – one song was performed with him standing on the crush barriers at the front of the mush pit, supported by his belt by two large members of the stage crew. Towards the end of the set he made his way to one of the balconies in the HMV forum between downstairs standing and the upstairs seating usually reserved for bouncers observing the crowd, crossing amongst those seated (or not) upstairs to the opposite side…

I Predict a Riot had the crowd at full voice, and the mush pit in full motion. Returning to the stage for their encore Love’s Not a Competition and Oh My God brought the house down.

Wednesday, October 19, 2011

The difficult bridge to the second album….

The Q Awards 2011 gigs at the HMV Forum, Kentish Town, continued with Pixie Lott…
From Pixie Lott 2011

Making the jump to a second album, at the same time as the artist and their audience are maturing musically can be a tricky point in an artist’s career. Pixie is at that stage, and having finished her first headline tour last year, promoting her first album Turn It Up , this one off gig was a chance for her to try out some new material in front of a friendly audience. Being a one off it was very much stripped back, without the multiple costume changes and theatrics of the tour – allowing her musical talents to take centre stage.

Of the new material, I felt Stevie on the Radio was the most successful – although whether all of those in the audience had ever heard Steve Wonder has to be asked – some of them haven’t matured as fast as Pixie’s sound has…

Illustrated by the late arrivals who thought they have a right to steam to the front. It is a great argument for a well policed golden circle for those fans dedicated enough to be at the front of the queue, braving the cold onset of autumn, to get in early, they usually also forgo the bar to maintain prime spots. They might be a little naive treasuring a little space in front of them that is the envy of others.  There did appear to be two styles of material – a pop sound and a more club sound – Pixie may need to choose between the two to produce an cohesive album…

Trying out new material is always a risk – but Pixie has an first album loved by her fans to fall back on and can certainly power out the tracks from that collection - Gravity when down particularly well.

Anyone treated to 2 hours of Jazz and power pop by Jamie Cullum the previous night might have felt a little cheated by the rather shorter set from Pixie – unless they’d bought their tickets via the 2 for 1 that had managed to fill the venue to a respectable extent – but Jamie is a multi-album performer with a significant catalogue – while Pixie is trying to make the jump to having multiple successful albums – judging by the new material she has a fighting chance of making that leap… Most people venturing back out in the the cold of autumn appears to be happy – perhaps with the exception of a few who’d had their hard earned views at the front stolen by a thoughtless few…

Tuesday, October 18, 2011

Twenty, no make that Thirty something

From Jamie Cullum 2011
Jamie Cullum may no longer be a twenty something, and returning to gigging following the birth of his first child - which he quickly pointed out was mainly not his own hard work - he confessed his enthusiastic jumping around the wasn’t quite as easy to combine with singing now, but he still left the other contributors to the 2011 Q Awards at the HMV Forum with a hard act to follow.

I’d been surprised to find myself queuing round the block, even only minutes after the doors officially opened – that is usually something that only happens for act with much younger appeal. The audience was a great mix of young and older music lovers – all there to enjoy Jamie’s mix of Jazz, power pop and soul.

He didn’t disappoint – one of many highlights of the evening was an impressive piece of audience participation, with three parts for the audience – which was then repeated to induce yet another encore from Jamie at the end of the evening…