Looking at the stage set up it wasn’t entirely clear which genre of music was about to be performed – two large drum kits, two synth/keyboard positions and an electric guitar weren't quite want I’d expected for the folk based sound Ane had opened for Peter Gabrial’s with… Once the music began it became clear the drum kits where the centre of a very well crafted percussion section rather than rock drummers! Ane took over where Linnea had left off – producing a set of haunting melodies – one of the highlights was Oh Love, with audience participation that was controversially almost as good as the Scots! Compliments also go to the lighting engineer, managing to add to the atmosphere of the music while not resorting to “lack of light” lighting! It was a shame that Scala’s dual role as a club and live music venue on a Friday evening meant there was a strict curfew of 10pm to allow time for the Friday night club night to replace Ane’s fans… | |
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